Unlike the traditional american rodeo this was not about hurting animals but all about the skills of the Charro. How he/she controls both the horse and the stock. This test of skills is all done while accompanied by Mariachi bands. It was really exciting for me to be there as I both love horses and music. I have fallen in love with the sounds of Mariachi, the guitars combined with the big brass sound. (Some bands include accordians.)
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| The Big Halt |
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| Start of a Pivot |
Cala De Caballo
"The first task requires a lot of discipline an understanding between the horseman and the horse. Because the horseman has to show the good reins and tamemes of his animal." This was when the Charro rodé as fast as he could and then was judge on the length of time it took to stop his horse. I could not decide if they were measuring the number of steps the horse took in stopping or if they were measuring how straight of a line was kept. The next was turning the horse first in one direction for a time and then in the reverse. The horse was to use one hind leg as a pivote. The measurement was how close was the circle created by the pivot leg. They then lined the horse up and quickly turned a 180. Trying to do this in one giant step. They then did this again, Leaving the stadium the horse and rider were judge on the straight line of walking the horse backwards for a distance. I would guess that it was about 15ft that the horse had to walk backwards) |
| Pivoting |
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| He's doing a 180deg turn |
Piales En El Lienzo
It consists in stopping wild horse's run tieing its backlegs. Being the "Charo"
Manganas A Caballo
The competidor plays his rope, riding his horse and also must knock a wild horse down tieing its forelegs.
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| Charro playing his rope |
Jineteo De Yegua
It is to ride a wild horse with only a rope tied around it
Manganas A Pie
This task is known as the romantic part of "Charreria" because a charro standing on the arena, plays his rope beautifully and in the indicated moment ties a wild horse by its forelegs.
Paso De La Muerte
A "Charro" riding his horse without a saddle, must jump to a wild horse in a fast run.
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| Getting ready to jump |
Coleadero
"Charro" riding his horse has to knock down a bull. To do this, the "Charro" must touch his hat with his hand , slip the bull's back, take his tail, tangle it around his right leg and pull. Making his horse run faster. This along a 60m run.
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| Reaching for the tail. Jineteo De Toro It is to ride a bull with only a rope tied around the animal's body. The "Charro" must be riding the bull until it stops jumping. (this is done with no spurs on the boots or tacos in the rope to aggitate the bull) |
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| Bull riding |
Escaramuza Charra
A group of eight ladies riding mexican style and performing different types of exercises. ( I was only able to witness their entry parade not any of the exercises)
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| love how they include the youngest of riders |
Terna En El Ruedo
This taso is formed by "LazoA La Cabeza" where the "Charro" must tie the bull's head or horns and hold it up while another competidor makes "Pial En El Ruedo" where the "Charro" has to tie the bull's backlegs and pulo until the bull falls down.
Above all else today I learned that the Mexican rodeo is all about his family. There was not one instance I saw where a father/mother did not put the children first. This was not about overcoming another animal or man, only showing what skills each man had. The men helped each other, cheered each other on and even gave lessons when asked for advice.
